Aubrey Plaza: ‘I’d Rather Humiliate Myself’ for Roles to Make Audiences Feel More Confident 05/15/2024
‘The Girl with the Needle’ Review: This Compelling Period Yarn Packs a Shocking and Modern Sting 05/15/2024
‘Daisy Miller,’ Once Dismissed as Embarrassing Vanity Project, Is the Equal to ‘Last Picture Show’ 05/15/2024
Chris Hemsworth: Martin Scorsese and Francis Ford Coppola Criticizing Marvel Is ‘an Eye-Roll’ 05/15/2024
‘Furiosa: A Mad Max Saga’ Review: George Miller Paves the Way for ‘Fury Road’ with One of the Greatest Prequels Ever Made 05/15/2024
‘When the Light Breaks’ Review: A Dark Scandi Drama About What Happens When Grief Isn’t Allowed 05/15/2024
‘Wild Diamond’ Review: Social Realist Influencer Drama Is Frustrating and Familiar Despite a Compelling Lead 05/15/2024
Cannes Directors’ Fortnight Preview: This Year’s Edition Favors Odd Ducks and Avoids Respectability 05/15/2024